Renault Scenic CGI Breakdown - CGMeetup : Community for CG & Digital Artists

Renault Scenic CGI Breakdown -
 CGMeetup : Community for CG & Digital Artists: Renault Scenic CGI Breakdown Curve Digital - Here is a full CGI scene based on the Brooklyn Brownstone houses. Renault Scenic CGI Breakdown, Renault Scenic - Brooklyn Brownstone Houses - Full

Renault Scenic CGI Breakdown

Curve Digital – Here is a full CGI scene based on the Brooklyn Brownstone houses.

Making of Mossad Opening Titles - CGMeetup : Community for CG

Making of Mossad Opening Titles - CGMeetup : Community for CG:
Making of Mossad Opening Titles Yambo Studio - Making of for our Mossad Title Sequence, A collaboration Between Tal Baltuch and Us. Title sequence for a four part documentary series about the Israeli

Making of Mossad Opening Titles

Yambo Studio – Making of for our Mossad Title Sequence, A collaboration Between Tal Baltuch and Us. Title sequence for a four part documentary series about the Israeli national intelligence agency – The Mossad.

Ford Fiesta Paris VFX Breakdown - CGMeetup : Community for CG

Added by jason on 2017-10-20

Ford Fiesta Paris VFX Breakdown

INFECTED posted a very nice breakdown of the CG creatures from its Ford Fiesta ad.

The VFX Festival 2017 Title Sequence VFX Breakdown - CGMeetup : Community for CG

The VFX Festival 2017 Title Sequence VFX Breakdown - CGMeetup : Community for CG:

The VFX Festival 2017 Title Sequence VFX Breakdown

Mill+ collaborated with Director JM Blay on the opening title sequence for the The VFX Festival 2017, creating a beautiful interpretation of a VFX breakdown story through the use of transition wipes, wireframe views, and software passes.

The team led by Director JM Blay worked to bring the project to life from the initial creative concept to the final execution, ensuring that a number of unique ideas worked together in a bold and intriguing way.

In order to keep the concept firmly focused on the title of the festival, the team wanted the titles to appear as if they were a VFX breakdown though the use of ransition wipes, wireframe views, and software passes, usually reserved for behind the scenes footage. These elements were then used to help build the narrative of the titles, making for a more beautiful interpretation of a VFX breakdown story.

The text appears with transition wipes over the top of the imagery to reveal multiple levels of render, as if each name is being unpeeled with every scene. There are also numerous changes to the lighting of each setting this, together with the colours, and the 3D elements, unravel at pace to create a sequence of graphic yet fluid visuals for the viewer.

Mill 3D Lead Artist Rajinder Davis explains, ‘We used a combination of Houdini and Cinema 4D to create the fluid simulations and cloudscapes. A lot of the shots were very close to camera so this combination allowed us to create highly detailed shots in slow motion.

We also used Arnold for some of the shots, which allowed us to process the mass geometry effectively and deliver a strong finish.’

CREDITS:-
Production Company
Production Company: Mill+
Director: JM Blay

VFX & Design:-
VFX Company: The Mill
Producer: Claire Braithwaite
3D Lead Artists: Rajinder Davis, Oliver Johnson (Runner)
3D Artists: James Lee, Stephanie Dewhirst, Will Denning, Gabriel Thomas Ayache, Will McNeil
Matte Painting: German Casado, Cameron Johnson and Jasmine Sarais (Runner)
Motion Graphics: Diogo Pinheiro
Music & Sound Design: Pete Weitz
Interns: Franco Berto and Arran Birch (Pearson College)

Colour:-
Colour: The Mill
Colourist: Oisin O’Driscoll

Making of Magnum Pints - CGMeetup : Community for CG & Digital Artists

Making of Magnum Pints - CGMeetup : Community for CG & Digital Artists:

Making of Magnum Pints

BaconX and Mikros Image crefted a 100% CGI Ice Cream Factory.
The Making of Magnum Pints – ‘Carefully made to be Broken’

Mikros Head of Production : Fabrice Damolini
Mikros VFX Producer : Malica Benjemia
Mikros Head of studio : Benoit Holl
Mikros CG supervisor : Thomas HASS

Virtual Sets by Miopia FX - CGMeetup : Community for CG

Virtual Sets by Miop--ia FX - CGMeetup : Community for CG: Virtual Sets by Miopia FX Miopia FX presents Virtual Sets work. Virtual Sets by Miopia FX, Virtual Sets vfx breakdown, Virtual Sets vfx, Virtual Sets making of, vfx breakdown Virtual Set

Jumanji 2: Welcome To The Jungle Trailer 2 - CGMeetup : Community for CG

Jumanji 2: Welcome To The Jungle Trailer 2 - CGMeetup : Community for CG:

Jumanji 2: Welcome To The Jungle Trailer 2

Jumanji: Welcome To The Jungle – Official Trailer #2 (2017)

For two decades it went untouched. But the game always finds a way. Watch the new #JUMANJI trailer now and don’t miss it in theaters this Christmas!

In the brand new adventure Jumanji: Welcome to the Jungle, the tables are turned as four teenagers in detention are sucked into the world of Jumanji. When they discover an old video game console with a game they’ve never heard of, they are immediately thrust into the game’s jungle setting, into the bodies of their avatars, played by Dwayne Johnson, Jack Black, Kevin Hart, and Karen Gillan. What they discover is that you don’t just play Jumanji –Jumanji plays you. They’ll have to go on the most dangerous adventure of their lives, or they’ll be stuck in the game forever…

Cast: Dwayne Johnson, Jack Black, Kevin Hart, Karen Gillan, Nick Jonas, Bobby Cannavale.

Nööburgring Animation Breakdown - CGMeetup : Community for CG & Digital Artists

Nööburgring Animation Breakdown - CGMeetup : Community for CG & Digital Artists:

Nööburgring Animation Breakdown by Piotr Tatar

Everything was rendering in Redshift on 7x GTX 980Ti, which was perfect rig for this task. Interior shots have about 7 minutes per frame in full HD. When it comes to exterior, I rendered it on single GTX 980 TI and it was approximately 5 minues per frame.

My road reference for car simulation was model from asseto corsa mod, which was helpful to get proper elevation, hard to guess without it.

Rendering – 3dsmax + Redshift
Comp – Nuke

Game of Thrones “The Spoils of War” Season 7 Episode 4 VFX Breakdown - CGMeetup : Community for CG

Game of Thrones “The Spoils of War” Season 7 Episode 4 VFX Breakdown

Iloura – In episode four of HBO’s Game of Thrones season seven, “The Spoils of War,” Daenerys and her Dothraki horde engaged the Lannister army in a fiery fray brought to life with help from visual effects by Deluxe’s Iloura. Reteaming with VFX Supervisor Joe Bauer and VFX Producer Steve Kullback, Iloura VFX Supervisors Glenn Melenhorst and Josh Simmonds led Iloura artists in crafting the visuals.

Having honed its crowd pipeline and in-house tools for handling the enormous datasets required for large scale scenes featuring mounted riders and infantry for “Battle of the Bastards,” Iloura artists were able to draw upon that expertise in augmenting filmed elements or, in some cases, creating full CG shots, including some with thousands of soldiers in hand-to-hand combat. Iloura also created extensive set extensions as well as CG smoke and fire, and composited sequences with assets from multiple vendors to seamless effect.

Black Sails VFX Breakdown - CGMeetup : Community for CG

Black Sails VFX Breakdown

http://www.youtube.com/watch?v=NtAW62aAyrs&t=6s

Added by jason on 2017-09-08

Important Looking Pirates presents Black Sails VFX Breakdown.

Mackevision Showreel 2016

 

Mackevision – The Showreel includes current projects and highlights of our work of 3D – visualization, animation and visual effects.

Publieke Werken Vfx Breakdown

Publieke Werken Vfx Breakdown by Planet X FX

‘Public Works’ is the film adaptation of the eponymous Dutch Libris Literature Prize laureate and bestselling novel by Thomas Rosenboom and tells the story of the violin maker Walter Vedder. When he learns that at the site of his house a large hotel is to be built, he and his cousin see an opportunity to make some money. But their plans turn out less successful than hoped…
In cooperation with the Hungarian VFX studio Digital Apes, Planet X FX – with teams in Amsterdam, Groningen and Brussels – has created more than five hundred vfx shots to bring to life the Amsterdam of 1888. Public Works is one of the most complex and vfx-heavy films ever produced in Holland. Many different techniques were used by Planet X FX (NL) and Digital Apes (Hungary) to create a vast and detailed 3D model of Amsterdam, complete with fancily dressed inhabitants, and other countless assets needed to create a believable cityscape. This 3D model (and other additional digital matte paintings and elements) could be matched to the footage shot mainly on a sound stage in Budapest, where a portion of street was build as an actual set.
One spectacular example is the digital recreation of the street Texelse Kaai (present day Prins Hendrikkade) down to the smallest detail and subsequent integration with the filmed shots.
‘Public Works’ premiered in Dutch theaters December 10th 2015.
Director: Joram Lürsen | DOP: Mark van Aller, NSC | Grading: Bart Verraest