drone

 

Bell Boeing V22 Osprey

General characteristics

• Crew: Four (pilot, copilot and two flight engineers/crew chiefs)
• Capacity:
  • 24 troops (seated), 32 troops (floor loaded), or
  • 20,000 lb (9,070 kg) of internal cargo, or up to 15,000 lb (6,800 kg) of external cargo (dual hook)
  • 1× Growler light internally transportable ground vehicle^[227][228]
• Length: 57 ft 4 in (17.5 m)
• Rotor diameter: 38 ft 0 in (11.6 m)
• Wingspan: 45 ft 10 in (14 m)
• Width with rotors: 84 ft 7 in (25.8 m)
• Height: 22 ft 1 in/6.73 m; overall with nacelles vertical (17 ft 11 in/5.5 m; at top of tailfins)
• Disc area: 2,268 ft² (212 m²)
• Wing area: 301.4 ft² (28 m²)
• Empty weight: 33,140 lb (15,032 kg)
• Loaded weight: 47,500 lb (21,500 kg)
• Max. takeoff weight: 60,500 lb (27,400 kg)
• Powerplant: 2 × Rolls-Royce Allison T406/AE 1107C-Liberty turboshafts, 6,150 hp (4,590 kW) each

Performance

• Maximum speed: 275 knots (509 km/h, 316 mph^[229]) at sea level / 305 kn (565 km/h; 351 mph) at 15,000 ft (4,600 m)^[230]
• Cruise speed: 241 kn (277 mph, 446 km/h) at sea level
• Stall speed: 110 kn^[52] (126 mph, 204 km/h) in airplane mode
• Range: 879 nmi (1,011 mi, 1,627 km)
• Combat radius: 390 nmi (426 mi, 722 km)
• Ferry range: 1,940 nmi (2,230 mi, 3,590 km) with auxiliary internal fuel tanks
• Service ceiling: 25,000 ft (7,620 m)
• Rate of climb: 2,320 – 4,000^[52] ft/min (11.8 m/s)
• Glide ratio: 4.5:1^[52]
• Disc loading: 20.9 lb/ft² at 47,500 lb GW (102.23 kg/m²)
• Power/mass: 0.259 hp/lb (427 W/kg)

Armament

• 1× 7.62 mm (0.308 in) M240 machine gun or 0.50 in (12.7 mm) M2 Browning machine gun on ramp, removable
• 1× 7.62Performance
  • Maximum speed: 275 knots (509 km/h, 316 mph^[229]) at sea level / 305 kn (565 km/h; 351 mph) at 15,000 ft (4,600 m)^[230]
  • Cruise speed: 241 kn (277 mph, 446 km/h) at sea level
  • Stall speed: 110 kn^[52] (126 mph, 204 km/h) in airplane mode
  • Range: 879 nmi (1,011 mi, 1,627 km)
  • Combat radius: 390 nmi (426 mi, 722 km)
  • Ferry range: 1,940 nmi (2,230 mi, 3,590 km) with auxiliary internal fuel tanks
  • Service ceiling: 25,000 ft (7,620 m)
  • Rate of climb: 2,320 – 4,000^[52] ft/min (11.8 m/s)
  • Glide ratio: 4.5:1^[52]
  • Disc loading: 20.9 lb/ft² at 47,500 lb GW (102.23 kg/m²)
  • Power/mass: 0.259 hp/lb (427 W/kg)
  Armament
  • 1× 7.62 mm (0.308 in) M240 machine gun or 0.50 in (12.7 mm) M2 Browning machine gun on  mm (.308 in) GAU-17 minigun, belly-mounted, retractable, video remote control in the Remote Guardian System [optional]^[

 

 

Tokyo-Based Artist Arrested For 3D Printing Her Vagina

A 42-year-old artist named Megumi Igarashi has been arrested in Tokyo for transmitting 3D models of her vagina which, under Japanese obscenity laws, is considered illegal. She sent the files via email to customers who bought copies on her website. She was raising money to build a vagina-shaped boat.
The files in question are, to be clear, fairly stylized representations of the female form, as is most of her art. Igarashi, who calls herself Rokudenashi-ko or “Good-For-Nothing Girl,” began making the prints when she decided to explore her own sexuality and the role of the female form in Japanese culture. While the male member is not as taboo in Japanese culture (NSFW example), the female genitals are all but hidden.
“As an artist, I focus on my own vagina as the motif for my art,” she wrote. “My work is against discriminative / ignorant treatment of the vagina.”
“I cannot understand why the police recognize the 3D data as obscene material,” she said.

“The problem here is she received money for it,” said our former Tokyo reporter, Serkan Toto. “If you sell any obscene images over the web, that’s illegal.”
Her fundraising goal was to raise money to build something called the Manko-boat or Manbo, essentially “pussy boat,” based on the shape of her vagina. Her charmingly innocuous pitch video appears below.

 

The question this arrest raises, obviously, is what can be defined as obscenity, especially in regard to self-scanning, 3D printing, and art. No rational person would mistake Igarashi’s work with pornography but, clearly, she is not dealing with rational people. In the end, control over her body and her image is solely hers and, I suspect, art will win out.

Brilliant VFX whip up a storm

A seamless combination of video and 3D animation sees a young boy encounter a sea storm in this thrilling new ad. We find out how it was made.
http://youtu.be/qXUnqQ-Er-M

Insurance company Delta Lloyd recently commissioned advertising agency TBWA\NEBOKO to create this new spot, which features the voyage of a young boy, who negotiates the elements of the ocean on a small boat.
Along his journey, he encounters seals, a storm, vortex and huge whale, all of which were created by French post production house Digital District. " 'Storm in the open sea' were the first words we heard about the film," says FX supervisor Thomas Marqué.

The goal was simple - make it real

Naiad also provided the solution to the team's biggest challenge. "The sea surface becomes more complex in a storm, a little swash turn into a very detailed mountain full of foam and sea sprays," says FX lead Marc Thomas Cavé.
 

 
 
 
 
 
 
 
 

 
 



 Fluid simulation software Naiad provided the Digital District team with the solution to all their sea simualtion issues

"For the surface itself, we used a NOT-ocean mesh in Naiad to create the main surface. This object is very sharp and detailed and acted as our base to work on foam, splashes, sprays and wakes. It's also the reference surface for the animator in charge of the boats. Naiad is powerful enough to make particles collide on such detailed meshes - it was a vital piece of software on this project."

Transporter

 

Galaxy formation

Weekend 3d

AWACS

AWACS

A10 Thunderbolt

Predator

 

PC under maintenance



CGI VFX Breakdowns HD: "Yasak Breakdown" - by GeniusPark

ANIMATORS IN ACTION The Hobbit: The Desolation of Smaug

Hollywod production, Hobbit The Desolation of Smaug how they make
attention for mocap suite

V-Ray Automotive Showreel 2013

CGI VFX Breakdown HD: "White House Down Break Apart Reel" - by Image Engine

Andrew again Sci-Fi Weapons!

CGI Matte Painting Showreel HD: "Matte Painting Reel 2014" - by Sian Rees

CGI VFX Breakdowns: "The Amazing Spider-Man 2: Times Square Environment"...

Redbull Air Race Putrajaya Malaysia 2014 Full Event

Red Bull Air Race Putrajaya 2014

The Foundry's 2014 Showreel

CGI VFX Showreel HD: "VFX Making Of Showreel 2012" by - 3 Little Pix

CGI VFX Making of HD: "Metro" by Main Road Post

V-Ray Masterclass - Unleashing the Power of V-Ray with Erasmus Brosdau

Buggy rig

Tsunami sur New York - Speed art (#Photoshop) | CreativeStation

Agora tower Taipei

Lamborghini

Bapakku fm

I'm listening to Bapakku FM with TuneIn. #RealRadio. http://tun.in/seVHB

Smoke trail

bike rig 3ds max

Level of detail LOD

https://www.youtube.com/watch?v=8G2sbjJ7c3k&feature=youtube_gdata_player

LOD continued

Although the algorithm introduced above covers a whole range of level of detail management techniques, real world applications usually employ different methods according the information being rendered. Because of the appearance of the considered objects, two main algorithm families are used.[3] The first is based on subdividing the space in a finite number of regions, each with a certain level of detail. The result is discrete number of detail levels, from which the name Discrete LoD (DLOD). There's no way to support a smooth transition between LOD levels at this level, although alpha blending or morphing can be used to avoid visual popping. The second considers the polygon mesh being rendered as a function which must be evaluated requiring to avoid excessive errors which are a function of some heuristic (usually distance) themselves. The given "mesh" function is then continuously evaluated and an optimized version is produced according to a tradeoff between visual quality and performance. These types of algorithms are usually referred as Continuous LOD (CLOD). Details on Discrete LOD An example of various DLOD ranges. Darker areas are meant to be rendered with higher detail. An additional culling operation is run, discarding all the information outside the frustum (colored areas). The basic concept of discrete LOD (DLOD) is to provide various models to represent the same object. Obtaining those models requires an external algorithm which is often non-trivial and subject of many polygon reduction techniques. Successive LOD-ing algorithms will simply assume those models are available. DLOD algorithms are often used in performance-intensive applications with small data sets which can easily fit in memory. Although out-of-core algorithms could be used, the information granularity is not well suited to this kind of application. This kind of algorithm is usually easier to get working, providing both faster performance and lower CPU usage because of the few operations involved. DLOD methods are often used for "stand-alone" moving objects, possibly including complex animation methods. A different approach is used for geomipmapping[4], a popular terrain rendering algorithm because this applies to terrain meshes which are both graphically and topologically different from "object" meshes. Instead of computing an error and simplify the mesh according to this, geomipmapping takes a fixed reduction method, evaluates the error introduced and computes a distance at which the error is acceptable. Although straightforward, the algorithm provides decent performance. A discrete LOD example As a simple example, consider the following sphere. A discrete LOD approach would cache a certain number of models to be used at different distances. Because the model can trivially be procedurally generated by its mathematical formulation, using a different amount of sample points distributed on the surface is sufficient to generate the various models required. This pass is not a LOD-ing algorithm. Visual impact comparisons and measurements Image Vertices ~5500 ~2880 ~1580 ~670 140 Notes Maximum detail, for closeups. Minimum detail, very far objects. To simulate a realistic transform bound scenario, we'll use an ad-hoc written application. We'll make sure we're not CPU bound by using simple algorithms and minimum fragment operations. Each frame, the program will compute each sphere's distance and choose a model from a pool according to this information. To easily show the concept, the distance at which each model is used is hard coded in the source. A more involved method would compute adequate models according to the usage distance chosen. We use OpenGL for rendering because its high efficiency in managing small batches, storing each model in a display list thus avoiding communication overheads. Additional vertex load is given by applying two directional light sources ideally located infinitely far away. The following table compares the performance of LoD aware rendering and a full detail (brute force) method. Visual impact comparisons and measurements Brute DLOD Comparison Rendered images Render time 27.27 ms 1.29 ms 21 × reduction Scene vertices (thousands) 2328.48 109.44 21 × reduction Hierarchical LOD Because hardware is geared towards large amounts of detail, rendering low polygon objects may score sub-optimal performances. HLOD avoids the problem by grouping different objects together[5]. This allows for higher efficiency as well as taking advantage of proximity considerations.

Level of Detail LOD

In computer graphics, accounting for level of detail involves decreasing the complexity of a 3D object representation as it moves away from the viewer or according to other metrics such as object importance, viewpoint-relative speed or position. Level of detail techniques increases the efficiency of rendering by decreasing the workload on graphics pipeline stages, usually vertex transformations. The reduced visual quality of the model is often unnoticed because of the small effect on object appearance when distant or moving fast. Although most of the time LOD is applied to geometry detail only, the basic concept can be generalized. Recently, LOD techniques also included shader management to keep control of pixel complexity. A form of level of detail management has been applied to textures for years, under the name of mipmapping, also providing higher rendering quality. It is commonplace to say that "an object has been LOD'd" when the object is simplified by the underlying LOD-ing algorithm.

RayFire customer showreel 2010

Behind the scenes at New Deal Studios

I, Frankenstein Official Trailer Movie 2014

Banyak guna efx fume, rayfire

LOD or Level Of Detail in 3Ds Max

Houdini Demo Reel 2013

Flatiron plugin - Intro

CGI breakdown

CGI Vfx Showreel

 

The Fly Vfx Breakdown by Giulio Tonini

These are five shots I recently worked on. Even house flies drop dead because of boring and bad quality programmes on TV!
I used Maya for the animation, shading and rendering with Arnold Render and Nuke for compositing.


rendering with Arnold Render and Nuke for compositing.

Boeing P-8 Poseidon Maritime Patrol Aircraft | Military-Today.com

SAR for MH370

Red Bull Air Race World Championship 2014 Putrajaya

Smoke at Putrajaya Malaysia 17-18th May 2014.

V-Ray Advertising Demo Reel 2012

Impressive render engine

RealFlow Hybrido Demo

Demoreel Forest Pack 4

RealFlow 2013 Webinar -

Focusing on Hybrido 2

Zbrush timelaps

08 - RealFlow 2013 : HyFLIP,

Ocean Statistical Spectrum

Hybrids Realflow

Reference to demon wave characteristic

https://www.youtube.com/watch?v=XPrs0H0Adig&feature=youtube_gdata_player

3d daily

katana

render guna pro shader plugin AE

Want to be amazing in 3D modeling? Here is how

Want to be amazing in 3D modeling? Here is how

Want to be amazing in 3D modeling? Here is how

Want to be amazing in 3D modeling? Here is how

Flight Kit and Jet Strike Video Copilot

Setelah sekian lama menunggu 2 benda ni akhirnya masuk jugak ke PC aku.9.87 GB yang speed ciput average 14 kb/s bayangkan bila mau siap, itulah yang dikatakan kesabaran mengatasi segalanya.

So what now! explore dulu cuba dalam 3dmax, esok nak pi vacation after baru install dalam AE and start rockin....stay tuned

Tank- AMX 30

 

AMX 30

Physical spec:

Place of origin: France

Weight: 36 tons

Width: 3.1m

Height: 2.28m

Crew:4 (commander, gunner , loader, driver)

Armor: 80 mm (3.1 in) maximum[1]

Main armament:105 mm Modèle F1 tank gun

Secondary  armament:20 mm autocannon, 7.62 mm machine gun machine gun

Engine: Hispano-Suiza HS-110  680 hp (510 kW)-720 hp (540 kW)

Transmission:Manual on AMX30; Semi-automatic SESM ENC200 on AMX-30B2

Suspension torsion bar Operational range: 600 km (370 mi)

Speed:65 km/h (40 mph

Source: Wikipedia

 

 

 

 

I 'm really have guns

SIG and carbine with normal scanline rendering

Install windows 7 64 bit

Install inprogress

Dah suksess

Format pc

Asalnya nak tambah ram tapi bila slot ram baru signal pula takada, atas nasihat google update bios baru, nak jadi cerita mungkin bios yang dipilih telah silap, keluar mesej "bootmgr missing".2-3kali reboot macam tu jugak. Panik juga tak pernah alami situasi macamni sebab minggu depan dateline nak hantar report kat boss pula. Last choice terpaksa kena format itu pun tak tahu ok ke tak. Kalau tak ok terpaksa hantar kedai...

3d daily

3d daily

Cubaan 1

Cubaan post dari tablet

Configure Real Flow pluggin dalam 3d Max 2013

Setelah bertungkus-lumus, cari dalam google, pergi kat Next Limit help desk akhirnya dapat juga fail nak configure ke  3d Max 2013

Lepas ni bolehlah start play around

 

Install Real Flow 2012

Sudah selesai install

Realflow 2012 dri Next Limit. Baru nak belajar explore benda ni. Lain kali bolehlah buat CGI. Producer2 yang nak hired boleh lah....

Privatise blog

Bermula hari ini blog ini akan akan dihadkan kepada admin saja. Langkah ini dibuat memandangkan buat masa ini kandungan dalam blog ini tidak sepenuhnya milik peribadi admin. Blog ini akan dibuka kepada public segali gus disenaraikan dalam carian google setelah kandungan, artikel, hasil karya sepenuh nya milik admin. Admin akan mengemaskini entry yang mengandungi hasil yang mempunyai copyright dan akan memberikan sumber darimana ia diperolehi

Tutorial

Alhamdulillah dah Selamat download tutorial Realflow dari Digital tutor pakai torrent

Reel Maxwell Render SIGGRAPH 2012 .mp4

Nak explore benda ni lak

Install Plugin 3d Max

3d Max 2013 64 bit dah install, sekarang nak configure plugin pula

Fume FX

VRay

Lepas siap ni baru boleh rockin....

Ducati Diavel

Ducati Diavel

Install 3d max 2013

Olympus Has Fallen VFX Breakdown by WWFX

Persiapan LIMA 2013 berjalan lancar

Persiapan LIMA 2013 berjalan lancar

U.S. Air Force C-17 Globemaster III Airlifter Airshow at Lima Langkawi 2013

Dassault Rafale at LIMA 2013 Air Show

LIMA Langkawi Boeing F/A-18 F

Russian Knights at Langkawi International Maritime & Aerospace (LIMA) 20...

29-30th March 2013

Russian Knights at Langkawi International Maritime & Aerospace (LIMA) 20...

LIMA 2013 29-30th March 2013

3d daily F15C

3d daily, Panther tank

3d Daily C-30 Charlie

Teknik yang sama, masih lagi guna 3d element Video Copilot.

Harrier in action

Harrier AV-8B image 3d objdownload free . Render menggunakan element 3d Video Copilot. Nimitz Super Carrier adalah image 2d dari google. Render lebih mudah dan cepat berbanding rendering engine yang lain. Sesuai untuk model low poly.

Experiment elementary 3d element video copilot AE

Experiment dulu guna primitive model. Memang best pluggin ni

Published with Blogger-droid v1.6.7

Optical Flare

Optical flare pluggin dari VideoCopilot, Tutorial install dari youtube

3d daily A10

3d daily A10

3d daily

3d daily

3d glass sphere

 

3d daily

Shuriken

 
Shuriken, test

Shurken guna software adobe after effect + pluggin dari video copilot 3d element. Sungguh cool

Install 3dmax 2013

Inprogress, tweak sikit dia punya dll file, run pirate

Windows 7 64 bit

Install pakai cd copy dari torrent. Kemudian install 3dmax 2010+pluggin require 64 bit.... still inprogress